I am more than pleased to participate for the first time in Bill West's Fifth Annual Great American Local Poem Genealogy Challenge. To find links to each of the blogs that are taking part in the challenge this year, tune in to Bill's blog, West In New England on Thanksgiving Day, November 27, 2013.
For Bill's challenge I chose a poem about Nova Scotia (my maternal ancestral home) and about death. This poem, by renowned American poet Elizabeth Bishop, elicits a variety of emotions for me, from the poignant subject (the death of a child) to the stark isolation of Nova Scotia itself.
As family historians, we are often drawn into the events surrounding death and dying. In so doing, we feel compelled to document "the where and the when," while the human need to understand "the why" is ever present in our subconscious.
Bishop was born more than 100 years ago in Massachusetts. However, it was not America that formed her. After the death of her father, the 3-year old Elizabeth was taken to Great Village, Nova Scotia, where she stayed with her grandmother. Nova Scotia is the setting of many of her best poems.
In "First Death in Nova Scotia," she remembers a cousin's body laid out in the parlor, his loss of color and detail dissolving him into the snow outside.
From Elizabeth Bishop's Questions of Travel (Farrar, Straus and Giroux, 1956), here is:
First Death in Nova Scotia
In the cold, cold parlor
my mother laid out Arthur
beneath the chromographs:
Edward, Prince of Wales,
with Princess Alexandra,
and King George with Queen Mary.
Below them on the table
stood a stuffed loon
shot and stuffed by Uncle
Arthur, Arthur's father.
Since Uncle Arthur fired
a bullet into him,
he hadn't said a word.
He kept his own counsel
on his white, frozen lake,
the marble-topped table.
His breast was deep and white,
cold and caressable;
his eyes were red glass,
much to be desired.
"Come," said my mother,
"Come and say good-bye
to your little cousin Arthur."
I was lifted up and given
one lily of the valley
to put in Arthur's hand.
Arthur's coffin was
a little frosted cake,
and the red-eyed loon eyed it
from his white, frozen lake.
Arthur was very small.
He was all white, like a doll
that hadn't been painted yet.
Jack Frost had started to paint him
the way he always painted
the Maple Leaf (Forever).
He had just begun on his hair,
a few red strokes, and then
Jack Frost had dropped the brush
and left him white, forever.
The gracious royal couples
were warm in red and ermine;
their feet were well wrapped up
in the ladies' ermine trains.
They invited Arthur to be
the smallest page at court.
But how could Arthur go,
clutching his tiny lily,
with his eyes shut up so tight
and the roads deep in snow?
Where I discovered this poem: